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गजेन्द्र_ठाकुरक_इतिहास_पोथीक_समीक्षा.m4a

Not an editorially verified transcript. This text was generated automatically from the preserved recording and may contain recognition, language-detection, spelling, segmentation or name errors. Consult the source recording for authoritative content.
Collection
Part 1 · VIDEHA MITHILA MAITHILI DISCUSSION CRITICISM SERIES PART 1
Status
asr-draft
Human verified
No
Editorial review
not-reviewed
ASR model
small
Detected language
en (0.328928)
Duration
7:17
Source
Open preserved recording

Timestamped machine output

  1. 0:00–0:09इसमिक्ष़ गजंद्र ताकुर द्वारा लिखित ए परललल लिज्ट्री अप मित्छला अप मेठिली लिट्ठ्रिच्र पर किंद्रित अची.
  2. 0:09–0:13meaning that the main source of history is the challenge of writing,
  3. 0:13–0:13the
  4. 0:13–0:15understanding of the present and the
  5. 0:15–0:18universal nature of the universe.
  6. 0:18–0:22So you can see without any hesitation that
  7. 0:22–0:29this is the most powerful influence of the magnificent material.
  8. 0:29–0:31Exactly.
  9. 0:31–0:35Look, the first mistake that has been made
  10. 0:35–0:39and that was the Pandulipik Barthaman Sanrachana.
  11. 0:39–0:45It was once again in the history of Kalkhanda and many many places.
  12. 0:45–0:50Yes, we have noticed that when we go to the school,
  13. 0:50–0:55people were constantly wandering in the same time,
  14. 0:55–0:58as if the speciality had been broken.
  15. 0:58–1:03Yes, the historical age of the Yuga was definitely very good.
  16. 1:03–1:08The person who knows the real world, he took the right path.
  17. 1:08–1:09You are right.
  18. 1:09–1:13The story of the Nipal and Assam's bridge bull,
  19. 1:13–1:17was recorded in Khand 1, 3, 7, and 15.
  20. 1:17–1:21It was a very tiring journey in a short period of time.
  21. 1:21–1:22Exactly.
  22. 1:22–1:26When there was a misunderstanding in the first Khand,
  23. 1:26–1:29then again start again in the seventh Khand.
  24. 1:29–1:32Oh! He stopped the main story.
  25. 2:02–2:03and the entire
  26. 2:03–2:04cultural discussion
  27. 2:04–2:06is a free practice.
  28. 2:06–2:07Okay.
  29. 2:07–2:09So, the
  30. 2:09–2:12intellectual
  31. 2:12–2:14wrong-doing
  32. 2:14–2:15and the
  33. 2:15–2:16digital movement
  34. 2:16–2:17is
  35. 2:17–2:18the only place
  36. 2:18–2:19where
  37. 2:19–2:21the
  38. 2:21–2:22intellectual
  39. 2:22–2:23wrong-doing
  40. 2:23–2:24is the only place
  41. 2:24–2:25where
  42. 2:25–2:26the intellectual
  43. 2:26–2:27wrong-doing
  44. 2:27–2:28is the only
  45. 2:28–2:29place
  46. 2:29–2:30where
  47. 2:30–2:31the intellectual
  48. 2:31–2:46The same
  49. 3:16–3:46This is a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a
  50. 3:46–3:50So, first of all, write the right way of the person.
  51. 3:50–3:52Even if he is weak in the murder.
  52. 3:52–3:53Oh, yes.
  53. 3:53–4:00So, after all, the right way of the person to use the RTI data?
  54. 4:00–4:01Exactly.
  55. 4:01–4:03Cut it in the form of a target.
  56. 4:03–4:07Write the right way of the person to use the RTI data.
  57. 4:07–4:11and use the right methods to cut the right type of the plant?
  58. 4:11–4:14Exactly! Cut the right type of the plant.
  59. 4:14–4:17The plant will increase its academic weight.
  60. 4:17–4:22Otherwise, if the plant doesn't have a strong plant,
  61. 4:22–4:25it won't look like an eco-chamber.
  62. 4:25–4:28Yes, the eco-chamber will be made.
  63. 4:28–4:32It is very important to have a historical plant.
  64. 4:32–4:35Today, Jai Vichar Samavishi is the leader.
  65. 4:35–4:39So, it is important for women to be a part of history
  66. 4:39–4:42and to be a part of the whole world.
  67. 4:42–4:44This is exactly what we have come to know.
  68. 4:45–4:47The historical context of the famous women's
  69. 4:47–4:49and the important leaders of the world
  70. 4:49–4:51changed the way of the culture.
  71. 4:51–4:55Mother, I have a small, unique friend.
  72. 4:55–4:56Yes.
  73. 4:56–4:58Women's writer, actress,
  74. 4:58–5:04and the women's writing the suppressed canon of Rundhati Devi and Lokgita
  75. 5:04–5:08were named in a small town in Sanchhep.
  76. 5:08–5:13Muddha Nepalak Mall Darbar, Siddh Sahitya and his special youth
  77. 5:13–5:18were completely lost in the historical period.
  78. 5:18–5:23This seems to be the only connection between the five parts of Jain.
  79. 5:23–5:37Yes, and one suggestion is that I would like to include the Nariwadi Dhrushtikon in each of the stories of women, youth and youth in a specific way.
  80. 5:37–5:37Exactly.
  81. 5:37–5:44In every historical period, make an important part of the story of women.
  82. 5:44–5:51I am the wife of the famous singer Sohar Samdaun and the famous singer Throbbing Human Heart Khand,
  83. 5:51–5:56and the famous singer Dalit Loknayak from Salhes Adina Bhadri.
  84. 5:56–5:58Yes, and the famous singer Ashod,
  85. 5:58–6:03who is the wife of the famous singer Kuno Rachnatmak Bhumi in the film,
  86. 6:03–6:05which is the famous actress Mal Darbar.
  87. 6:05–6:14This is the same song that was played in the symphony of a great dance.
  88. 6:14–6:21The main characters of the women's world history should be in harmony with each other.
  89. 6:21–6:26So, we have completed this complete discussion of the main part of the Bindu,
  90. 6:26–6:28which is the main part of the Bindu,
  91. 6:28–6:33and we have completed the discussion of the main part of the Bindu,
  92. 6:33–6:37which is the main part of the Bindu,
  93. 6:37–6:39which is the main part of the Bindu,
  94. 6:39–6:43which is the main part of the Bindu,
  95. 6:43–6:53The history of women's art is not in any way in the history of the world.
  96. 6:53–6:58After these three works, this collection becomes very influential.
  97. 6:58–7:04Thank you to the special guest of Shruta, Anik Shrot Samagrik Lal.
  98. 7:04–7:07The works here are very important.
  99. 7:07–7:09They are very important.
  100. 7:09–7:12Our people's views on the basis of the constitution
  101. 7:12–7:14should be read again to our people.
  102. 7:14–7:17Our eyes are waiting for the new culture.

Plain text

इसमिक्ष़ गजंद्र ताकुर द्वारा लिखित ए परललल लिज्ट्री अप मित्छला अप मेठिली लिट्ठ्रिच्र पर किंद्रित अची. meaning that the main source of history is the challenge of writing, the understanding of the present and the universal nature of the universe. So you can see without any hesitation that this is the most powerful influence of the magnificent material. Exactly. Look, the first mistake that has been made and that was the Pandulipik Barthaman Sanrachana. It was once again in the history of Kalkhanda and many many places. Yes, we have noticed that when we go to the school, people were constantly wandering in the same time, as if the speciality had been broken. Yes, the historical age of the Yuga was definitely very good. The person who knows the real world, he took the right path. You are right. The story of the Nipal and Assam's bridge bull, was recorded in Khand 1, 3, 7, and 15. It was a very tiring journey in a short period of time. Exactly. When there was a misunderstanding in the first Khand, then again start again in the seventh Khand. Oh! He stopped the main story. and the entire cultural discussion is a free practice. Okay. So, the intellectual wrong-doing and the digital movement is the only place where the intellectual wrong-doing is the only place where the intellectual wrong-doing is the only place where the intellectual The same This is a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a very good example of a So, first of all, write the right way of the person. Even if he is weak in the murder. Oh, yes. So, after all, the right way of the person to use the RTI data? Exactly. Cut it in the form of a target. Write the right way of the person to use the RTI data. and use the right methods to cut the right type of the plant? Exactly! Cut the right type of the plant. The plant will increase its academic weight. Otherwise, if the plant doesn't have a strong plant, it won't look like an eco-chamber. Yes, the eco-chamber will be made. It is very important to have a historical plant. Today, Jai Vichar Samavishi is the leader. So, it is important for women to be a part of history and to be a part of the whole world. This is exactly what we have come to know. The historical context of the famous women's and the important leaders of the world changed the way of the culture. Mother, I have a small, unique friend. Yes. Women's writer, actress, and the women's writing the suppressed canon of Rundhati Devi and Lokgita were named in a small town in Sanchhep. Muddha Nepalak Mall Darbar, Siddh Sahitya and his special youth were completely lost in the historical period. This seems to be the only connection between the five parts of Jain. Yes, and one suggestion is that I would like to include the Nariwadi Dhrushtikon in each of the stories of women, youth and youth in a specific way. Exactly. In every historical period, make an important part of the story of women. I am the wife of the famous singer Sohar Samdaun and the famous singer Throbbing Human Heart Khand, and the famous singer Dalit Loknayak from Salhes Adina Bhadri. Yes, and the famous singer Ashod, who is the wife of the famous singer Kuno Rachnatmak Bhumi in the film, which is the famous actress Mal Darbar. This is the same song that was played in the symphony of a great dance. The main characters of the women's world history should be in harmony with each other. So, we have completed this complete discussion of the main part of the Bindu, which is the main part of the Bindu, and we have completed the discussion of the main part of the Bindu, which is the main part of the Bindu, which is the main part of the Bindu, which is the main part of the Bindu, The history of women's art is not in any way in the history of the world. After these three works, this collection becomes very influential. Thank you to the special guest of Shruta, Anik Shrot Samagrik Lal. The works here are very important. They are very important. Our people's views on the basis of the constitution should be read again to our people. Our eyes are waiting for the new culture.

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