MACHINE ASR ACCESSIBILITY AID

10_प्रॉम्प्ट_लिखबाक_कला.mp3

Not an editorially verified transcript. This text was generated automatically from the preserved recording and may contain recognition, language-detection, spelling, segmentation or name errors. Consult the source recording for authoritative content.
Collection
Part 9 · VIDEHA MITHILA MAITHILI DISCUSSION CRITICISM SERIES PART 9
Status
asr-draft
Human verified
No
Editorial review
not-reviewed
ASR model
small
Detected language
la (0.285577)
Duration
3:21
Source
Open preserved recording

Timestamped machine output

  1. 0:00–0:30आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचि�
  2. 0:30–0:32khe mra ga pe plas prakash sash paal
  3. 0:32–0:35e hi kramak kud deshya basha so ja beinahi
  4. 0:35–0:37nivneis pash kada bachi
  5. 0:37–0:40namu a ek pata sun me di yo
  6. 0:40–0:45o ja me de bak prompta wide cinematic dawn shot of a mythila village pond
  7. 0:45–0:49lotus leaves and makhana plants moving gently in the breeze
  8. 0:49–0:51to fisherman in the far background
  9. 0:51–0:54slow forward dolly soft golden light
  10. 0:54–0:57natural colors realistic documentary style
  11. 0:57–1:02ʻqam wātā reflekshans no text no logo poon wi dā metiliyāt.
  12. 1:02–1:06ʻgōrāk misprit chal ķibrāt mak drishya, mithilād rāmak pākri,
  13. 1:06–1:10ʻqamal pātā mak hānuk pātha luq thamā mehi leid,
  14. 1:10–1:14ʻgur gūmā tsūr, ʻkem rādi e adāmar hēt.
  15. 1:14–1:17ʻkōmāl suna fālā prakāś, ʻsma mā mik rāng,
  16. 1:17–1:21ʻmrit ķibri ye kāyatāt shēli, ʻshant prapibim,
  17. 1:21–1:23ʻkōno pāt ma lo go na hī.
  18. 1:23–1:25ʻNamūna dō, tīpra sun me dhiyo.
  19. 1:25–1:29ʻGa pī kēdrit prompt the woman remains seated,
  20. 1:29–1:31and looks toward the pond.
  21. 1:31–1:34ʻHersari edge moves gently in the breeze.
  22. 1:34–1:36ʻSmall ripples spread across the water.
  23. 1:36–1:39The camera makes a very slow push in.
  24. 1:39–1:43ʻKeep facial features, clothing, background architecture,
  25. 1:43–1:45and colors unchanged.
  26. 1:45–1:47ʻPūn wi dham tīpra pahin e mishē.
  27. 1:47–1:50ʻMas pras tan nitha ʻitka chuk ala ʻhī.
  28. 1:50–2:20ʋʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi
  29. 2:20–2:50ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻ
  30. 2:50–3:20ʻʻa ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi
  31. 3:20–3:21నికికానినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినిన

Plain text

आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचिः आचि� khe mra ga pe plas prakash sash paal e hi kramak kud deshya basha so ja beinahi nivneis pash kada bachi namu a ek pata sun me di yo o ja me de bak prompta wide cinematic dawn shot of a mythila village pond lotus leaves and makhana plants moving gently in the breeze to fisherman in the far background slow forward dolly soft golden light natural colors realistic documentary style ʻqam wātā reflekshans no text no logo poon wi dā metiliyāt. ʻgōrāk misprit chal ķibrāt mak drishya, mithilād rāmak pākri, ʻqamal pātā mak hānuk pātha luq thamā mehi leid, ʻgur gūmā tsūr, ʻkem rādi e adāmar hēt. ʻkōmāl suna fālā prakāś, ʻsma mā mik rāng, ʻmrit ķibri ye kāyatāt shēli, ʻshant prapibim, ʻkōno pāt ma lo go na hī. ʻNamūna dō, tīpra sun me dhiyo. ʻGa pī kēdrit prompt the woman remains seated, and looks toward the pond. ʻHersari edge moves gently in the breeze. ʻSmall ripples spread across the water. The camera makes a very slow push in. ʻKeep facial features, clothing, background architecture, and colors unchanged. ʻPūn wi dham tīpra pahin e mishē. ʻMas pras tan nitha ʻitka chuk ala ʻhī. ʋʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʋi ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻĀ ʻ ʻʻa ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi ʻi నికికానినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినినిన

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