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Further Lalit Kala Akademi Awardees · Critical Notes

Forty further entries: the remaining names in the Akademi’s official “Last 5 Years NEA Awardees List” for NEA 61 (2019) and NEA 62 (2020), followed by ten named awardees from the official 65th NEA release. The source confirms names and exhibition years; where it does not publish a work title or medium, this page does not invent one.

Official 58–62 awardee list (Akademi PDF) ↗ · Official 65th NEA release ↗

1. Hari Ram Kumbhawat

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

2. Keshari Nandan Prasad

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

3. Mohan Kumar T

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

4. Ratan Krishna Saha

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

5. Sagar Vasant Kamble

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

6. Satwinder Kaur

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

7. Sunil Thiruvaniyoor

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

8. Tejswini Narayan Sonawane

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

9. Yashpal Singh

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

10. Yashvant Singh

61st NEA (2019) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

11. Prabhu Harsoor

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

12. S.A. Vimalanathan

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

13. Mohan Devubhaibhoya

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

14. Nisha Chadda

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

15. Pritam Maity

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

16. Ghanshyam Mohanbhai Kahar

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

17. Digbijayee Khatua

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

18. Devesh Upadhyay

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

19. Bhola Kumar

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

20. Anand Narayan Dabli

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

21. Nema Ram Jangid

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

22. Laxmi Priya Panigrahi

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

23. Jintu Mohan Kalita

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

24. Manjunath Honnapura

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

25. Jagan Mohan Penuganti

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

26. Prem Kumar Singh

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

27. Rishi Raj Tomer

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

28. Kusum Pandey

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

29. Shivanand Shagoti

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

30. Suneel Kumar Singh Kushwaha

62nd NEA (2020) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

31. Chandra Shekhar Sain

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

32. Gopal Chandra Naskar

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

33. Kishor Kumar Narkhadiwala

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

34. Mrinal Dey

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

35. Nidhi Chopra

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

36. Nimai Singh Sarungbam

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

37. Pankaj Kumar Sharma

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

38. Pooja Rajpoot

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

39. Praveen Kumar

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

40. Pritam Madhukar Deuskar

65th NEA (2026) · Lalit Kala Akademi National Exhibition of Art

Critical note: this entry is anchored to the Akademi’s published awardee record. The documented genre is the National Exhibition of Art, within the visual-art fields represented by the Akademi; no unverified work title, medium or biography is supplied here.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

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