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More Lalit Kala Akademi Awardees · Critical Notes

Fifty additional entries drawn from the Akademi’s official “Last 5 Years NEA Awardees List”: NEA 58 (2016), NEA 59 (2017), NEA 60 (2018), and NEA 61 (2019). The source confirms names and exhibition years; it does not provide work titles or media for these rows, so the notes do not invent them.

Official awardee list (Akademi PDF) ↗ · National Exhibitions archive ↗

1. Aisharjya Paramita Konwar

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

2. Akhil Mohan

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

3. Ananya Dalal

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

4. Anil Kumar Bodwal

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

5. D. Saravana Deivasegamani

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

6. Gukanraj Kothandaraman

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

7. Harish Kumar Ojha

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

8. Kavita Mehrotra

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

9. Lakshaman Prasad

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

10. Madan Lal

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

11. Nilmoni Raha

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

12. Sajeesh. PA

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

13. Satish Hanumanthappa Multhali

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

14. Suresh K

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

15. Vijay Bhagat

58th NEA (2016) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

16. Amit Chakraborty

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

17. Amit Dutt

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

18. Atin Basak

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

19. Cherring Negi

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

20. Debasish Dutta

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

21. Indira Purkayastha Ghosh

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

22. Jyoti Prakash Sethy

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

23. Kumaran Karipparambil Raman

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

24. Pankaj Gahlot

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

25. Pappu Bardhan

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

26. Pradeep Prathap

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

27. Rabi Narayan Gupta

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

28. Shivakumar Kesaramadu

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

29. Vikrant Vishwas Bhise

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

30. Vivek Kumar

59th NEA (2017) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

31. Chandan Kumar Samal

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

32. Douglas Maryan John

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

33. Gouri Vemula

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

34. Hemant Rao

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

35. Hiren Kumar Chhotu Bhai Patel

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

36. Jaya Jena

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

37. Jayesh K.K

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

38. Jitendra Suresh Sutar

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

39. Pratap Chandra Chakraborty

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

40. Rashmi Singh

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

41. Sachin Kashinath Chaudhari

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

42. Sunil Kumar Vishwakarma

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

43. Tabassum Khan

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

44. Vasudeo Taranath Kamath

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

45. Vinita Sadguru Chendvankar

60th NEA (2018) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

46. Anoop Mankuzhi Gopi

61st NEA (2019) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

47. David Malaker

61st NEA (2019) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

48. Devendra Kumar Khare

61st NEA (2019) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

49. Dinesh Pandya

61st NEA (2019) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

50. Faruque Ahmed Halder

61st NEA (2019) · National Exhibition of Art awardee

Critical note: the official roster confirms this artist’s place in the Akademi’s National Exhibition record. Because the roster does not publish a work title or medium here, this note stays with the documented award context and reads the entry as part of the exhibition’s wider visual-art field rather than inventing a biography or artwork.

This expanded note reads each awardee through medium, line, colour, form, material, exhibition space and the viewer’s relation to the work. Visual art is best understood by holding history, making process and local context together.

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